Traveling is the only way to go back in time.
This is especially true in Mozambique, a country, in many ways, free from the hallmarks of “modern” society. These days it is almost impossible to find a place in New York with no internet reception. New Yorkers, always connected, tune in to their palm-sized devices to understand what is going on around them. Hand delivered letters; home radios and printed newspapers are relics of the past.
In Mozambique, they are still vital accessories. As a nostalgic print journalist, I’ve loved living in rhythm with this country.
This is especially true in Mozambique, a country, in many ways, free from the hallmarks of “modern” society. These days it is almost impossible to find a place in New York with no internet reception. New Yorkers, always connected, tune in to their palm-sized devices to understand what is going on around them. Hand delivered letters; home radios and printed newspapers are relics of the past.
In Mozambique, they are still vital accessories. As a nostalgic print journalist, I’ve loved living in rhythm with this country.
But last week I had the eerie sensation of traveling forward
in time to the post-apocalyptic, dystopia of Ilha de Mocambique.
Ilha de Mocambique was once the capital of Portuguese East
Africa and a major Arabic trading post. Mousa-Al-Bic, an Arabic trader, gave
the island, and later the country, its name. But the opening of the Suez Canal in
1869 carved a direct maritime passage between Europe and Asia. Ships no longer needed Ilha as a refueling base. The island’s
days as a cultural hub were numbered. By 1898, Moz’s capital moved to Lourenco Marques (now
Maputo) and all the Portuguese capital that sustained the island drained south.
In the 1980's, thousands of Mozambicans sought refuge in the almost deserted island from the country's brutal civil war.
Today, majestic colonial buildings still dot the island. From hospitals to police stations to naval bases, Ilha was equipped to be a capital. But the archways and grand staircases lead nowhere. Almost all of the colonial buildings are in ruins.
Walking on island’s angled dirt roads, I saw children
playing hide and seek in crumbled houses and families sleeping inside empty,
bleach-white mansions. At night the
island is pitch black, save for the small cooking flames that peak through the
cracked doors and windows of colonial buildings.
The hospital, once the largest below the Sahara, has now
been shut down, except for a couple of backrooms that are still functioning.
Despite its creepy vibe, Ilha is a happy place. At dusk the island's street children start massive 50-person games of tag and hide and seek that go late into the night. Two days into my trip, they learned my name and for the rest of the week I heard enthusiastic shouts of "MARINA!" everywhere I walked.
