We sometimes travel on the assumption that life is the Small World ride at Disney World. Wherever we go, we expect colorful people to smile from ear to ear at our unexpected presence, waving mechanically as we cruise in and out of their scenery.
( Kristen Howerton) |
But these days, we want more out of our trips than a pleasant
smile from the locals. We want to interact, to learn and to live, temporarily, like a native
(whatever our idea of that may be).
In New York, I want to eat a messy New York hotdog, from a
yellow New York stand, on the corner of a dirty street, served by a Yankee-cap-wearing
immigrant with a Brooklyn accent and a bad mood.
Whole economies spring around this search for authentic
travel. In the blink of an eye, crappy hot dog stands, poverty-themed restaurants
and out of tune musicians await us at ever corner, ready to cater to our
demands of “authenticity”. A lion park in South Africa, elephant ride in India
and gondola cruise in Venice are a concierge’s desk away.
Never has this been clearer to me than one night in
Swaziland, when, after dinner, we were summoned to watch a “traditional” ceremony at
our hotel. The guests sat in plastic chairs around an opening in the sand. One by one the hotel workers came out,
wearing skimpy scraps of fur, shuddering in freezing winter air. They clapped
and stomped and shouted in unison but the most memorable part of the dance was
their matching looks of misery.
It is in moments like these when our desperate search for authenticity
is mirrored back to us, a caricature of our expectations. Authenticity, when mass-produced, becomes its
opposite: a distorted, cheap and often, racist, façade.
So can we dig past all that crap and have meaningful
interactions with local people we meet during our travels?
At Ilha de Mocambique, I met an intriguing Spanish photographer who has devoted her life to make that kind of travel possible. Cristina is in the process of opening a mud-house hostel, where guests live exactly like the locals: no running water, electricity or gas.
Guests are required to learn how to cook and shower and clean from their neighbors. Instead of paying for their stay, they help the locals with a neighborhood project, donating whatever skills they have. It is an extreme example, but it’s the most honest attempt I’ve seen at responsible, authentic travel.
Traveling to a developing country inherently involves a lopsided power dynamic because of the simple
fact that your presence there is voluntary. I’ve landed into someone’s
neighborhood and, whether I’d like to admit it or not, I can leave any time I
want.
Choice, especially the choice to travel, is privilege the
vast majority of the world will never know and, in Mozambique, it plagues my
every interaction.
That unequal power dynamic is accentuated by material
inequality. As a journalist and a traveler here, much of what I see are the
implications of pure and desperate poverty.
For the first time this year, I’ve interviewed people I know are
starving as they talk to me. I’ve had the opportunity to stick around long
enough to see the effect that my voluntary presence, western clothes and full
stomach, have on them. That type of cultural exchange, as selfish an
experience as it is for the traveler, has effects that go both ways.
Marina, what you are doing and writing is great. I'd often wondered about these things and wanted to take the leap to try out something like this. Wishing you the best.
ReplyDeleteBeijão,
Miguelão
What a beautifully written and nuanced piece. I wonder if the majority of tourists really are interested in getting a genuine experience when they travel. In my experience talking to others who travel a lot to second and third world countries, it seems like most are content to see the pretty animals, go zip-lining, and avoid the depressing reality of what life is like for people in more impoverished areas. For people who have spent their whole lives in a first-world country, it's awkward and uncomfortable to interact with someone you KNOW you could easily help financially or otherwise, but you refuse to for one reason or another.
ReplyDeleteSo, mega kudos to you for putting yourself in the uncomfortable space of interaction with those who are less fortunate. I think that's where the richest cultural experiences come from-- not from watching a miserable hotel staff member shakin' it in the cold.
Great piece, as always!
ReplyDelete